The #MeToo Movement got its start in Hollywood, but the still-moving movement for equal rights for women got its start from Sidonie-Gabrielle Colette. Colette penned the bestselling series of Claudine novels under her husband’s name before breaking away to win the 1948 Nobel Prize in Literature for her novel Gigi. She was also an actress and journalist. She was the true genius behind her husband’s success and boldly challenged both the sexuality and gender identity status quos. Colette is the real Wonder Woman women deserve.

Colette is portrayed perfectly by Keira Knightley; it’s the best performance of her career. She truly is “the real Claudine” as well as the real Colette. Even while her husband received credit for the writing of the books, it was her who was credited with creating “a type.” Women upon reading the Claudine novels became Claudine—dressing like her, cutting their hair like her, even adopting her words as a regular part of their everyday vocabulary. Claudine was a literary phenomenon bigger than Harry Potter, and more in line with Madonna. Colette’s face was on hair products, cigarettes, everything.

Colette wasn’t always an empowered author, though. The film tells a most intriguing and often hilarious story of her growth from quiet, heterosexual housewife and letter writer to emboldened, bisexual novelist/actress and happy divorcee. She might not have been violated sexually like those women in Hollywood who spearheaded the #MeToo Movement, but she was violated by men nonetheless. None more so than her husband, who repeatedly used her writing to dig himself out of debt, going so far as to lock her in a room for four hours to write words he’d later claim as his own using the status quo and not his ego as the reason her name could not accompany his on the manuscripts.

Colette constantly challenged the status quo, whether it was women writing or the generally-accepted running around of husbands with mistresses and looking-down upon of wives doing the same. "Infidelity is a matter of gender to you?" Colette angrily asks her husband, Willy (real name Henry Gauthier-Villars, portrayed very well by Dominic West), at one point. She eventually falls in love with a transgender woman, Missy. When her husband refuses to acknowledge Colette's insistence that Missy be referred to as "him" instead of "her" despite Colette correcting him three times, you see exactly how far ahead of her time Colette really was. It would sicken her to see Donald Trump's administration looking to change the legal definition of gender back to what is or isn't swinging between your legs rather than what you see yourself as regardless of genitalia

Colette includes one of the funniest montages you’ll see in cinema and doesn’t dull with dialogue. The conversation, especially with her husband, comes more quickly and more wittily as Colette’s character grows more and more emboldened. The moment she becomes aware of her genius isn’t as celebratory as the moment she allows herself to embrace it and enjoy it without her husband. Like a perennial, Colette blooms every year, but it takes years to fully realize her radiance.

Critics (86 percent fresh on Rotten Tomatoes) and audiences (75 percent like it) alike are loving Colette. It deserves better than the $3.7 million its made at the box office. With Colette, the New York-based Bleeker Street has given women, especially those brave women of Hollywood, the #MeToo movie their movement deserves. Reward them for doing so and you’ll be rewarded yourself.


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Published in Entertainment

Multiple sources are reporting that Louis CK made a surprise appearance at the Comedy Cellar in New York City on Sunday night. You may or may not know that at the height of his career Louis CK was accused of sexual harassment by multiple women. He sidestepped and denied the allegations for many years, finally telling the NY Times in 2017 interview:

 

“I’m not going to answer to that stuff, because they’re rumors. If you actually participate in a rumor, you make it bigger and you make it real … (CK then was asked, “So they’re not real?”) …  They’re rumors, that’s all that is.”

 

Well, CK denied the “rumors” for years. Until too many women came forward and then he admitted that “These stories are true.” He was immediately fired from multiple shows, lost deals and had his recent film, “I Love You, Daddy” pulled from distribution. A film he wrote, directed, produced and starred in. The film also starred Chloe Grace Moretz and John Malkovich. The unreleased film is about an aging filmmaker (Malkovich) with an appalling sexual misconduct past and his new relationship with seventeen year old Moretz who happens to be Louis CK’s daughter. It’s unreleased but folks have still seen it. I mean, hell - I’ve seen it. And to be honest - it was okay. It’s even been nominated for awards! True story - the Alliance of Women Film Journalists gave it nominations and an award - winner of the Most Egregious Age Difference Between The Lead and The Love Interest Award and nominee for the Hall of Shame Award!

 

Way to go Louis! =)

 

Anyway. You can imagine the shit storm of negative social media and press Louis CK was going to get when he made a walk on surprise appearance. Keep in mind that Louis CK often did walk on performance in the past to the sold out room (115) of the Comedy Cellar. It’s just that this was the first one since the allegations broke almost one year ago.  

 

Apparently, audience reaction was fairly positive. His fellow comedians performing that evening said it was “classic Louis” and “quite good.” Cellar owner, Noam Dworman verified that he received one complaint email but also, several supportive emails. So, it sounds as if the walk on show - was fine.

 

But for the most part celebrity reactions have been uniformly disgusted. Comedian Kathy Griffin tweeted: “You know how many talented women and POC comics are knocking on doors trying to get some time in front of audiences or powerful people in this business? And Louis just gets to glide back in on his own terms? Gosh, does it payoff to be in the boys club..the white boys club.”

 

Top Chef host, Padma Lakshmi tweeted: “Not falling for this Louis CK "triumphant return" narrative after years of him humiliating women who worked for & with him.”

 

I would even go so far as to say the vast majority of coverage of Louis’s surprise set was negative. Very, very outraged and negative.

 

But Louis was not without his supporters. A few fellow (male) comedians voiced approval. Marlon Wayans said, “It’s nice to see Louis out of comedy jail.”  SNL actor and Emmy host Michael Che had a lot more to say.  

 

He mocked the twitter outrage with, "'OMG! Can you believe that guy went on with his life?! (Yes, I can.)”

 

But Che’s main point was that the outrage was more about fame obsession gone wrong. Che wrote:

 

"What’s interesting to me about these articles against Louis CK performing again, is how important fame is to people. A lot of what I read says that CK shouldn’t get to be a ‘famous’ comedian anymore. Because to them, he’s still winning. Isn’t that strange? Meaning he can be shamed, humiliated, lose millions of dollars, lose all of his projects, lose the respect of a lot of his fans and peers, and whatever else that comes with what he did. But since he can still do a comedy set for free at a 200 seat club a year later, it means he got off easy. THAT’s how coveted fame is. Just because it looks to you like someone is 'getting off easy' cause they still have the perks you would kill to have, doesn’t make it so."

Okay. Maybe. Those are some fair points that I hadn’t considered.

I would push back though, that Che doesn’t seem to mention the shame, humiliation, loss of $$$ and loss of projects that all of the women suffered due to CK’s actions, the subsequent cover up and the strong arm harassment tactics to get the women to just shut up. A lot of them left comedy because of it. How are we to value their loss of $$$ and loss of careers. How do we offer them their “comeback?” Is that even a thing? Are you allowed a comeback for something you dropped ten years ago due to harassment against you? I mean, you might not even be good at it any longer - because you haven’t done it in ten years! So, what should we allow your “come back” to be? A check? How much should it be worth? Should it be based on the overall value of what you lost? How do we calculate that? Is your only “payment” from this ordeal that Louis CK no longer gets to work in comedy? Is that fair for all parties involved?

*shrugs*

I mean, you can be cynical and say that had the women not been subjected to sexual misconduct and harassment - maybe they still wouldn’t have had “what it takes” to become a famous comedian. Okay. Well, what if some of them did have “what it takes.” Maybe one of them had the potential to become the next Tiffany Haddish (only the greatest female comic working today!).

Oh, man. That hurts my soul a bit. To think that a comedy powerhouse like Tiffany Haddish could have been lost to us because of sexual misconduct and harassment. That could have happened. And maybe it did.

Look, maybe Louis just “tried it out” to see what the reaction would be. And now that he sees the overwhelming negative praise, he won’t try it again. Or at least not for a long time.

Maybe he’s working out new material and planning a big come back and doesn’t care if social media is angry. We have no idea what Louis CK is thinking or if he has done anything (or nothing) to right some of his wrongs.

But something tells me - we’re about to find out.

 

Published in Entertainment