Four of the five top grossing films in the United States thus far in 2018 are sequels, with Jurassic World: Fallen Kingdom already grossing $222 million to take the fifth spot on that list.
It should be no surprise that the dinosaur-driven, action-thriller saga would manage a good enough opening week to more than cover its $170 million budget. But I see Fallen Kingdom falling in the box office like the dinosaurs suddenly fell from existence.
I have long been a fan of the Jurassic franchise. It’s responsible for some of the best special effects and puppeteering in cinema history. The idea of resurrecting the dinosaurs to live amongst humans intrigues the hell out of me, and the Jurassic Park ride at Universal Studios is also one of my favorite all-time rides.
Fallen Kingdom just isn’t a very good film. The setting nor the story allow the filmmakers to take advantage of its stars – and I’m not talking about Chris Pratt and Vincent D’Onofrio. I’m talking about the dinosaurs, who have always been the stars of the Jurassic franchise, and there’s evidence other people are aware of Fallen Kingdom’s failures.
Fallen Kingdom’s weekly domestic gross fell 71 percent from last Friday to this Friday. Only Hotel Artemis and Chappaquiddick experienced larger drops in revenue over the same time. With films like Sicario 2 and Uncle Drew expecting $18- and $16-million openings, respectively, Fallen Kingdom’s brief reign atop the box office will be briefer than the length of time Jurassic Park and Jurassic World were open to the public. A July 4 opening of The First Purge in 3,000 theaters won’t help, and Ant-man and the Wasp opening in 4,100 theaters on July 6 will precipitate Fallen Kingdom’s fall in domestic box office revenue.
Meanwhile, Tag had the fourth-best percentage change in revenue over the last week, losing just 30 percent in revenue during that time, and it’s still being shown in over 3,000 theaters, so there’s plenty of time for people to see something original and unique to wash the bad taste Fallen Kingdom left in their mouths. It’s really hard for an action movie to overcome poor reviews (51 percent critic score on Rotten Tomatoes and 59 percent audience score), but moviegoers are more willing to give comedies the benefit of the doubt because of people’s unique senses of humor. An action movie must be carried by characters, conflict or effects, but a comedy always has comedy on which to fall back, which might be why Tag’s box office revenue dissipated 55 percent to Fallen Kingdom’s 71 percent in their respective first week’s Friday-to-Friday revenues.
In an age when an original idea is hard to come by at the movie theater, I appreciate a film like Tag that attempts to tell a story never before told, except for in The Wall Street Journal. A group of friends spending the month of May playing tag for 30 consecutive years is a damn fine premise for a movie. It’s not a story entirely, but it gives you the time and place to serve as a setting and interesting characters that can hold an audience’s attention long enough to tell your story.
Tag’s unique premise makes for the perfect bromance comedy about making friendships span the tests of time and space. Not only is Tag hilarious; it’s a bonafide action movie worthy of the big screen. The action sequences are shot superbly, slow-motioned to Matrix-level speed and accompanied by wickedly funny play-by-play commentary.
Jeremy Renner’s character, Jerry, has never been “it,” and this is the year his friends finally get him, because they know where he’s going to be and when. But Jerry’s not the Neo of tag for nothing. He’s got mad skills, making his friends look ridiculous in some of the best action sequences doubling as physical comedy that you’ll see in theaters this year or any other. The same cannot be said for Jurassic World: Fallen Kingdom, whose predecessor also excelled because of an action-comedy combination.
So if you’re looking to scratch your action movie itch, consider seeing Tag instead of Fallen Kingdom. You’ll not only be entertained by the frequency and presentation of Tag’s action sequences, but you’ll laugh during and between those action sequences and enjoy seeing an original idea projected on the big screen.
Josh Brolin, who portrays Thanos, the villain in Avengers: Infinity War and the character with the most screentime, is listed 27th in the credits for the film -- just ahead of Chris Pratt, the star of the Guardians of the Galaxy franchise. In all, the stars and co-stars of seven film franchises are represented in Avengers: Infinity War.
The result of so many superstars sharing one screen is a two-and-a-half-hour-long movie and a billion-dollar budget for Marvel Studios, 80 percent of which has already been recouped. Regardless of the film’s box office success, we know The Avengers franchise can’t last forever and are reminded of that throughout Infinity War.
Spoiler alert: Infinity War writers Christopher Markus and Stephen McFeely abandoned the Hollywood ending for this one, probably at the request of Marvel Studios head Kevin Feige, who hinted that Infinity Wars would bring the first 22-movie arc to a “finality.” While that doesn’t mean there won’t be more Avengers movies after next year’s, different characters could be wearing the costumes.
Spoiler alert: Many of the Avengers “die” in Infinity War. I put that in quotes because now that The Avengers has borrowed a tactic from X-Men: First Class that originated in Superman, no one is ever really dead. Knowing the Avengers can now turn back time, the deaths, at least at the end of the film (wink), didn’t invoke much of an emotion in me. But the ending was shocking nonetheless.
Spoiler alert: I for one appreciate a film that ends with the villain winning, like The Joker did in The Dark Knight. Thanos beats the Avengers like The Joker did Batman, which will result in Avengers 4, the untitled sequel to Infinity War set to release next year, likely making more money than Infinity War. That was the case when a similarly solemn ending in Lord of the Rings: The Two Towers resulted in an even better box office return for Return of the King.
Since all the Avengers actors and actresses have signed contracts for two Avengers films, this one and the next one, there’s no way of telling who actually died in Infinity War. That’s the point of those vague contracts, but we do know a few Marvel heroes will survive to make more sequels.
Pratt and his fellow Guardians are the only Marvel characters with a movie on Marvel’s schedule after the next Avengers film, set to release in 2019. Chris Hemsworth, of the Thor franchise, is expected to return given both the box office success and critical praise of Thor: Ragnarok. Plus, he hasn’t exactly taken Hollywood by storm with his roles outside the Marvel Cinematic Universe. Benedict Cumberbatch will likely get his own sequel thanks to the $670 million Doctor Strange made worldwide.
Spoiler alert: “It was the only way” are Strange’s “last” words to Tony Stark after giving Thanos the Time Infinity Stone to spare Stark’s life. That tells me Thanos winning the first battle and Stark surviving that battle are both necessary for the Avengers to eventually overcome Thanos. I’m also certain the Avengers will go back in time to resurrect the “dead” Avengers with the help of Captain Marvel, according to the short preview revealed at the end of Infinity War’s credits.
If Captain Marvel, set to release March 9, 2019, is even close to as good and successful as DC’s Wonder Woman, it will help Marvel fans get over the inevitable end of the Avengers as we know them. Rumors are that Chris Evans of the Captain America franchise will play the character for the final time in the next Avengers film. Robert Downey Jr. is also under contract for just one more film and has to be getting prohibitively expensive. He made $50 million for Infinity War. Scarlett Johansson was the next-best paid Avenger at $10 million and is expected to get her own Black Widow spinoff. And we know Ant-man and the Wasp is on the way.
Growing old in roles isn’t often allowed in Hollywood, unless you’re Sylvester Stallone, who has done it with Rocky and Rambo. Women are almost never allowed to grow old in roles, with Renée Zellweger’s Bridget Jones not much of an exception since the character was supposed to be “old” from the start. Sigourney Weaver’s run in the Alien franchise might be the longest Hollywood’s allowed a woman to grow old in a role, and Weaver aged so gracefully there wasn’t much reason to take her off the screen.
The point is Infinity War serves as a warning to those who thought Downey Jr. would play Iron Man long after his famous facial hair turned gray. The film’s ending encapsulates how it feels when things end -- film franchises and life alike. It’s depressing, but you’ll find reason for hope if you just sit patiently through the credits, consisting of mostly digital artists’ names printed so small and moving so fast you can’t read them. The same goes for life -- patience is rewarded, and no matter how bad it gets, there is always hope.