Solo: A Star Wars Story opened to fine reviews but performed well below expectations at the box office, even for a non-episodic Star Wars Story. But that shouldn’t deter you from seeing it, and it shouldn’t deter Disney from making another.
A lot of things go into a film’s box office performance besides the quality of the film. I can assure you, Solo is just fine, and while fine might not be good enough for some, it’s a whole lot better than the atrocities that are Episodes I, II and III, and those performed very well at the box office.
Before seeing the film, I was excited for Solo to finally introduce Chewbacca as a main character and develop his relationship with Han, portrayed as well as could be expected by Alden Ehrenreich (although I think those casting the film could have sacrificed looks for performance potential). I wanted Solo to be a bromantic comedy of sorts, and it is, in a less-funny, Dude-Walter Sobchak kind of way.
When Chewie first sits in the Millennium Falcon’s copilot seat, I got goosebumps, and while nostalgia was the source of most of the joy I derived from the film, and most of the its best parts are in the trailer, the movie was worth seeing in theaters. You’ll want to see and hear Solo’s action-packed moments in a movie theater. There are some deep blacks displayed during moments of action that your television at home might not display very well. Despite Solo paling in comparison to Deadpool 2 and Avengers: Infinity War, it’s a solid movie that’s probably a tish too long and falls short of its unfair expectations. I don’t even know if I liked it as much as Tomb Raider, but I’ll probably see it in theaters again regardless.
Solo released two weeks after a Deadpool sequel that except for the first 15 minutes, might be better than the original. And young Han still has Avengers: Infinity War with which to contend. Oh, and box office returns were at record lows last summer and are only getting worse, with U.S. theater attendance the lowest it’s been in 23 years and home entertainment spending up 11 percent. It’s a very competitive movie market and one that’s most friendly to a select few blockbusters -- generally the ones with the biggest budgets.
Jon Cazares wrote about how Solo was a sinking ship from the start. The two original directors, Christopher Miller and Phil Lord, had reportedly shot 80 percent of the film and were fired for allegedly over-spending. Then the hiring of Ron Howard, who reshot much of the movie despite saying much of what Miller and Lord had shot was usable, probably doubled the budget. While Solo ended up a big-budget blockbuster, it wasn’t meant to. In fact, had Solo stayed on budget, it would have been the cheapest Star Wars film produced by Disney and cheaper than all but the original trilogy at $125 million, making its $104-million opening weekend look a whole lot better.
So while Solo is already considered a flop by the entertainment media, don’t let that be the reason you don’t see it in theaters. Think for yourself. Don’t let the mass media dictate your consumption. And if you’re looking to give your air conditioner a break for a few hours, hit a matinee and enjoy a Star Wars film that challenges the norm more so than any before it.
The first 14 minutes and 25 seconds of Deadpool might be the best beginning to a movie I’ve ever seen in a movie theater. It has everything every blockbuster film should have to draw you in and put you on the edge of your seat. It introduces you to an interesting character, it entices you with either drama or comedy, and culminates in a climactic scene that sets the scene for the hero’s journey through the movie’s plot.
Deadpool 2’s first 15 minutes aren’t as good as Deadpool’s, which is to be expected. While the opening credits of Deadpool 2 are just as hilarious as those for Deadpool, the first 15 minutes of Deadpool 2 just can’t measure up to its predecessor. You can only introduce the Deadpool character once, and Deadpool does it as well as any film has, including Batman, the opening to which serves as source for a joke in Deadpool 2. Thankfully, Deadpool 2 doesn’t attempt to outdo the first 15 minutes of Deadpool, opting instead to use drama to set the stage for the sequel.
The first 15 minutes aside, the rest of Deadpool 2 is not only more entertaining than Avengers: Infinity War, but it’s better than Deadpool, too.
Back when Super Troopers 2 was released, I wrote about how a select few sequels achieve the critical acclaim of their predecessors. Much of that is due to the precedent set by the original film, as is the case with the first 15 minutes of Deadpool. Despite the wild success of The Godfather, ask any Italian or most film professors which is the better film, The Godfather or The Godfather: Part II, and Part II, will come out ahead. Ask any Star Wars fan which Star Wars is best, and most will tell you The Empire Strikes Back is better than its predecessor, A New Hope. Empire’s Rotten Tomatoes rating is even higher than A New Hope’s. The same is true of Deadpool 2’s Rotten Tomatoes rating. It’s rating is one percentage point higher than Deadpool’s as of this writing.
If you liked that Deadpool brought attention to the fact you’re watching a movie and used it as comic relief, you’ll love Deadpool 2. The sequel ups the ante in this regard, blending reality and fiction in a sort of Gonzo journalistic attempt at filmmaking. The “whose balls did I have to fondle to get my very own movie” moments are many more and even funnier than the original’s. Instead of suspending reality for audiences, Deadpool and Deadpool 2 use reality as the butt of many of the films’ jokes, and it works wonderfully, even providing laughs through its casting of characters. (Hint: stay seated after the sneak-peak trailer following the end credits for outtakes during filming of Deadpool 2.)
If you liked the relationships formed between Deadpool and Colossus and Negasonic Teenage Warhead in Deadpool, you’ll love how those relationships grow and the new relationships Deadpool forms with Josh Brolin’s Cable (who is just as good in this as he was in Avengers: Infinity War), Zazie Beetz’s Domino, who is equally fantastic in her role, and Negasonic Teenage Warhead’s girlfriend, Yukio.
Finally, if you thought you laughed a lot when you saw Deadpool, you’ll laugh even more often and harder and longer when you see Deadpool 2. It is without doubt the funniest comic book movie ever made, overtaking its predecessor, of course. I laughed more during Deadpool 2 than I did during Super Troopers 2 and think you will, too.
Josh Brolin, who portrays Thanos, the villain in Avengers: Infinity War and the character with the most screentime, is listed 27th in the credits for the film -- just ahead of Chris Pratt, the star of the Guardians of the Galaxy franchise. In all, the stars and co-stars of seven film franchises are represented in Avengers: Infinity War.
The result of so many superstars sharing one screen is a two-and-a-half-hour-long movie and a billion-dollar budget for Marvel Studios, 80 percent of which has already been recouped. Regardless of the film’s box office success, we know The Avengers franchise can’t last forever and are reminded of that throughout Infinity War.
Spoiler alert: Infinity War writers Christopher Markus and Stephen McFeely abandoned the Hollywood ending for this one, probably at the request of Marvel Studios head Kevin Feige, who hinted that Infinity Wars would bring the first 22-movie arc to a “finality.” While that doesn’t mean there won’t be more Avengers movies after next year’s, different characters could be wearing the costumes.
Spoiler alert: Many of the Avengers “die” in Infinity War. I put that in quotes because now that The Avengers has borrowed a tactic from X-Men: First Class that originated in Superman, no one is ever really dead. Knowing the Avengers can now turn back time, the deaths, at least at the end of the film (wink), didn’t invoke much of an emotion in me. But the ending was shocking nonetheless.
Spoiler alert: I for one appreciate a film that ends with the villain winning, like The Joker did in The Dark Knight. Thanos beats the Avengers like The Joker did Batman, which will result in Avengers 4, the untitled sequel to Infinity War set to release next year, likely making more money than Infinity War. That was the case when a similarly solemn ending in Lord of the Rings: The Two Towers resulted in an even better box office return for Return of the King.
Since all the Avengers actors and actresses have signed contracts for two Avengers films, this one and the next one, there’s no way of telling who actually died in Infinity War. That’s the point of those vague contracts, but we do know a few Marvel heroes will survive to make more sequels.
Pratt and his fellow Guardians are the only Marvel characters with a movie on Marvel’s schedule after the next Avengers film, set to release in 2019. Chris Hemsworth, of the Thor franchise, is expected to return given both the box office success and critical praise of Thor: Ragnarok. Plus, he hasn’t exactly taken Hollywood by storm with his roles outside the Marvel Cinematic Universe. Benedict Cumberbatch will likely get his own sequel thanks to the $670 million Doctor Strange made worldwide.
Spoiler alert: “It was the only way” are Strange’s “last” words to Tony Stark after giving Thanos the Time Infinity Stone to spare Stark’s life. That tells me Thanos winning the first battle and Stark surviving that battle are both necessary for the Avengers to eventually overcome Thanos. I’m also certain the Avengers will go back in time to resurrect the “dead” Avengers with the help of Captain Marvel, according to the short preview revealed at the end of Infinity War’s credits.
If Captain Marvel, set to release March 9, 2019, is even close to as good and successful as DC’s Wonder Woman, it will help Marvel fans get over the inevitable end of the Avengers as we know them. Rumors are that Chris Evans of the Captain America franchise will play the character for the final time in the next Avengers film. Robert Downey Jr. is also under contract for just one more film and has to be getting prohibitively expensive. He made $50 million for Infinity War. Scarlett Johansson was the next-best paid Avenger at $10 million and is expected to get her own Black Widow spinoff. And we know Ant-man and the Wasp is on the way.
Growing old in roles isn’t often allowed in Hollywood, unless you’re Sylvester Stallone, who has done it with Rocky and Rambo. Women are almost never allowed to grow old in roles, with Renée Zellweger’s Bridget Jones not much of an exception since the character was supposed to be “old” from the start. Sigourney Weaver’s run in the Alien franchise might be the longest Hollywood’s allowed a woman to grow old in a role, and Weaver aged so gracefully there wasn’t much reason to take her off the screen.
The point is Infinity War serves as a warning to those who thought Downey Jr. would play Iron Man long after his famous facial hair turned gray. The film’s ending encapsulates how it feels when things end -- film franchises and life alike. It’s depressing, but you’ll find reason for hope if you just sit patiently through the credits, consisting of mostly digital artists’ names printed so small and moving so fast you can’t read them. The same goes for life -- patience is rewarded, and no matter how bad it gets, there is always hope.